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《判若云泥》追寻的是一个“善”字，短片通过一种悬疑类型的讲述方式呈献，没有大的戏剧冲突，没有格子里的形象定位，有的只是从一个小视角，小侧面，小故事揭示现实中的真实感受。片中的逃犯被定为了第一主角，通过他的一系列行为举止引出剧情发展，再通过的他的心里变化揭示故事主题。。A mother and a daughter struggle to climb the Swiss Alps while they dig into a past that the mother has spent years suppressing. The daughter was sexually abused by her stepfather as a child and lately she has begun to doubt whether her mom knew what was going on. The daughter's persistence in trying to make her mom remember and take responsibility puts the two women's relation...。Divided into three "kingdoms" -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times. 頑皮老頭高達在新作挑釁如常，堅持如舊，對電影愛情如一，但從形式到內容，卻續有新境。比前作《愛之頌》更練達更擊中要害，是他近年最激的反思作品。三段結構的開篇〈地獄〉，戰地實錄與荷里活戰爭片交替，寓意彰甚：人類真會嗜戰。〈煉獄〉借薩拉熱窩做說書人，真實與虛構人物（包括高達自己）到此舉行文化圓桌會議，大家在寬恕迷宮中兜轉，唯有佇立已修復的莫斯塔古橋，才感一絲希望。高達最後領我們到〈天堂〉，人間竟有春色如許？但-有美軍駐守！全片最動人一幕：學生問 DV 可否打救電影？高...。